Friday, April 04, 2008
Shine A Light
From Rock and Roll Circus to Gimme Shelter to Sympathy for the Devil to Cocksucker Blues to Ladies and Gentleman: The Rolling Stones to Let’s Spend the Night Together, filmmakers have faithfullly fixed their cameras on the Rolling Stones. Now comes Shine a Light, shot in 2006 at the Beacon Theater during the Stones’ A Bigger Bang tour.
The doc begins with Martin Scorsese frantically trying to find out what the show’s set list is going to be. After a full-throttle “Jumping Jack Flash” opener, three special guests are introduced at various points: while Jack White nervously duets with Mick Jagger on “Loving Cup,” Buddy Guy injects genuine blues ferocity to Muddy Waters’s “Champagne & Reefer” and Christina Aquilera climbs octaves on “Live With Me.”
Quick cuts and extreme close-ups capture Jagger awkwardly shimmying about the stage and catwalk, and Keith Richards joyfully leading the 13-piece band (including backup singers and horns). In addition, Scorsese intersperses archival interview footage between songs. Towards the end of the 18-song set, the Stones’ signature centerpiece “Sympathy for the Devil” falls flat as the audience chants “ooh ooh.” But “Brown Sugar” – again, with the crowd loudly wooing along – is a rousing finale.
Shine a Light provides a backstage pass to rock and roll nostalgia of the highest order. It’s the nature of the game.
Posted at TheLMagazine.com
The doc begins with Martin Scorsese frantically trying to find out what the show’s set list is going to be. After a full-throttle “Jumping Jack Flash” opener, three special guests are introduced at various points: while Jack White nervously duets with Mick Jagger on “Loving Cup,” Buddy Guy injects genuine blues ferocity to Muddy Waters’s “Champagne & Reefer” and Christina Aquilera climbs octaves on “Live With Me.”Quick cuts and extreme close-ups capture Jagger awkwardly shimmying about the stage and catwalk, and Keith Richards joyfully leading the 13-piece band (including backup singers and horns). In addition, Scorsese intersperses archival interview footage between songs. Towards the end of the 18-song set, the Stones’ signature centerpiece “Sympathy for the Devil” falls flat as the audience chants “ooh ooh.” But “Brown Sugar” – again, with the crowd loudly wooing along – is a rousing finale.
Shine a Light provides a backstage pass to rock and roll nostalgia of the highest order. It’s the nature of the game.
Posted at TheLMagazine.com
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I can't wait to see this. So how does this compare to "The Last Waltz" as a film?
# posted by 
: 8:47 PM
: 8:47 PM
(I'm ♀, VietNam), I like this blog is so cool
Anyway, It's nice to see your blog
God Bless you
Again
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Anyway, It's nice to see your blog
God Bless you
Again
# posted by : 11:36 PM
: 11:36 PM 
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